Dredd review roger ebert biography
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The first voice we hear in “Judge Dredd” belongs to James Earl (Darth Vader) Jones, reading the words that crawl up the screen, describing a future world in which most of the Earth is a wasteland, and humans huddle in closed, violent megacities. Jones’ voice, along with the words crawling up the screen, are reminders of “Star Wars.” The fact that he has to read them is a reminder that in 1977, when “Star Wars” came out, audiences didn’t need to have them read. We are getting closer to the wasteland every day.
The movie is based on a comic book series about that future time, when anarchy reigns, and the citizens massacre one another in “Block Wars,” using machineguns to fight violent battles just for the fun of it, I guess, since the movie never really provides their motivation. The only force for law and order are the Judges – heavily armed and armored cops who double as judge and jury, and often execute criminals right on the spot.
Dredd is played by Sylvester Stallone, who is ideal for a role like this because he’s smart and funny enough to pull it off. The screenplay gives him little help, however, with a love interest (Diane Lane) who never really connects, a comic sidekick named Fergie (Rob Schneide
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Dredd: A world that no one wants to live in
Dredd – 2012
Director Pete Travis
Starring Karl Urban, Olivia Thirlby, Wood Harris, Leana Headey
Written Alex Garland
One could suppose that there is an attempt at some artistic statement to be made with the world as it appears in Dredd, which is the 2nd attempt at starting a franchise based on the comic book. Something akin to a slightly better lit Blade Runner is the most likely the goal. What comes across is the message that might is right, even if it is no fun to observe.
“I am the law!” is the common refrain of our hero, Judge Dredd. His statement is made with some amount of satire in the written material. In the 1995 film, it was funny, if unintentionally so. When Karl Urban utters this phrase, it comes across like a kick in the junk.
The movie has a plot of rookie cop Anderson (Thirlby) on her first day with the hardened professional Dredd. She has psychic ability, which means she can’t wear her helmet. The other reason she can’t wear her helmet is because she is much more pleasant to look at than anyone else in the film. The normally glamorous Lena Headey is scarred, almost beyond recognition. As the main baddie Ma Ma, she has to look this way. It doesn’
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"These tropes obtain two thumbs up":
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