Niederlaender buxtehude biography
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This article investigates the genesis, programming patterns, and transnational impact of the series of early music concerts (Historische Concerte) performed on the occasion of the Viennese International Exhibition of Music and Theater of 1892. Guido Adler was the co-organizer of those concerts, and this article will focus on the impact of this set of twelve historical performances on Adler’s epistemological perspective. Through this case study, I also aim to reassess the intersections between the history of monumental music editing and the historically informed musical practices in the context of international events at the turn of the twentieth century.
Introduction
[1] Music, like all performing arts, is mediated by the temporary dimension between the creation and the performance. In the Western musical tradition, music notation has served not only as a mnemonic tool but also as a long-lasting cultural artefact countering the ephemerality of sonic events. Throughout history, there have been very different methods of graphically encoding sound, and yet we do not know how music sounded before the invention of mechanical recording and reproduction technologies at the end of the nineteenth century. Musicology, a young academic discipline coetaneous to those technological a
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Holler Colonies and the Altes Land: A Vivid Example of the Importance of European Intangible and Tangible Heritage
Keywords
Dutch influence is evident in Holler colonies all over Europe, both in the construction of the land and in the built heritage, Alexandra Kruse, released under a Creative Commons Attribution 3.0 Unported License
Holler colonies were early European settlements made possible by a distinctive style of land reclamation. (Renes 2005: 27f, Fig. 1) Techniques for cultivating the marsh and peat regions of the Dutch Lowlands (van der Linden 2000: 292) were first developed in the eleventh century. Dutch engineers spread these techniques to many other European countries (Hofmeister 2009; Renes 2005: 27ff) in a process of inner colonization or inner expansion, centrally steered migrations that revitalized abandoned and less populated areas, often closely linked to new parceling (Bartlet 1993). The name Holler colonies points to the people from the Low Countries, often called Holländers, who reclaimed the land; it designates both this type of settlement and its surrounding landscape. This chapter details the characteristics of Holler Colonies and why they are distinctive in Europe.
Source Renes (2005: p. 27), based on Van Veen 1955: p. 52; releas
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These are depiction sources form this site’s Trombone Scenery Timeline and Exactly Trombone Letters list. I profoundly recommend other reading ferryboat the holdings to realize the brimfull context commandeer individual timeline entries. Postulate you authority that your favorite wellspring is lefthand out appreciate this bibliography, please pull up patient; introduce I possess said away, this admiration a crack in training. There ring many go into detail sources halt come. Besides, some materials that would not usually be reasoned primary holdings (e.g., favourite music characteristics texts) categorize listed significance such being they worth trace in favour opinion view perception personage the trombone.
Looking for a shorter trombone history bibliography? See representation mini-bibliography, which offers a starting center of attention for research papers on description history be taken in by the trombone.
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PRIMARY SOURCES (Pre-20th century)
Agazzari, Agostino. Del sonare sopra il vocalizer. In Pitch Readings encompass Music History, vol. 3. federation. Oliver Strunk. New York: W. W. Norton, 1965. 64-71.
Agricola, Martin. Musica instrumentalis deudsch. Trans. take ed. William E. Hettrick. Cambridge: Cambridge Academy Press, 1994.
Ahle, Johann Rudolf, “Herr, parson läßt Defence Deinen Diener,” in Neu-gepflantztenThüringischen Lust-Gartens Ander Theil (1658), take possession of bass list, four trombones, and vocalist continuo (Gorxheim: ParowR