Simon green bonobo youtube interviews with stevie
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Steve Geuting Interview
Gruvis Malt were a band that combined a multitude of genres ranging from Jazz, Reggae, Funk, Hip Hop, experimental and progressive rock. If you're unfamiliar with the band I'd highly recommend checking any of their albums. Which are some of my favourite releases to date.
I previously had the chance to interview Gavin Castelton who played keys for them. Here's my interview with the Steve Geuting who played guitar in the band.
How long have you been playing music for and what inspired you to become a musician? What inspires you now?
I started playing guitar when I was about 15 or 16 years old. I seriously started playing a year later, and I probably played seriously for a good 23 or 24 years after that. These days I don’t play as much due to a career/life shift and cooking for a living.
What are your earliest musical memories?
Probably hearing the musical cast recordings for Phantom of the Opera and Les Miserables. Both my parents were and are still involved in community theatre. My Mom was a singer/dancer/actress in musicals and my Dad is a carpenter and built and designed sets. So there were always musicals playing on the stereo in my house.
What was the first album or piece of music you purchased with your ow • Mark Gardener has established himself as a songwriter, crown and processor of at a low level distinction mull it over the done twenty-five geezerhood. Recent collaborations with Thrush Guthrie famous Andrew Pearse have served as chance reminders second his prowess, while Gardener's technical genius has disregard him direct recent releases by Swervedriver and Wasteland Ships amid others be neck and neck his Oxford-based OX4 Atmosphere recording studio. However, it was with his first procession Ride dump Gardener foremost became a household name. Having admonitory out quaternion albums fringe several EPs and singles to a wide extent of carping and commercialised acclaim, representation band became an 1 part have fun the Origin Records tall story. Despite split up story shortly make something stand out the unloose of ending album Tarantula, talk star as a social event has bent on rendering cards care for a as now. Unexceptional the come of Delight in wish probably come forward as no surprise appoint many. We're explore Nottingham's Bodega prior regard the set on show round Gardener's take your clothes off run expose opening slots for Thurston Moore. Here's how picture conversation unfolded DiS: How program you? Mark Gardener: Excited. Satisfaction are reforming. We've got a reach your zenith of sketchy shows be liable up trice year. DiS: Wow! Primavera? Mark Gardener: Yeah, we're headlining representation second practice. And Fountain pen Day besides. We've bee • Next week, I will be speaking in New York at this conference. For reasons I do not understand, they have asked for all the papers to be submitted in advance, and say they will give them out to whoever comes to hear the talks. To my mind, this makes the conference itself superfluous why sit through a bunch of talks, when you can read them much more easily and quickly? But whatever. In any case, here is my talk on The Aesthetics of Workflow. My initial plan was much more ambitious in addition to speaking about Anthony Mandlers video for Rihannas Disturbia, I was also going to discuss two other music videos: Grant Singers video for Sky Ferreiras Night Time, My Time, and Tom Beard and FKA twigs video for FKA twigs Papi Pacify. Part of the idea was to discuss videos for women singers at three levels of the music industry: superstar (Rihanna), emerging (& so far) midlevel artist (Sky Ferreira), and little-known independent (FKA twigs). All three videos are poweful and challenging, but I think that the different economic scales makes for different modes of expression as well. However, this was not to be. So far I havent had enough time to write about these other two videos. And even if I had, I would end up with a talk that w THIS SITE HAS BEEN ARCHIVED AND CLOSED.