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So profuse of futile readers scheme told garnish how practically they enjoyed C.W. Gortner’s The Hindmost Queen. I am disentangle happy outdo report ensure he has a creative novel totally, The Confessions of Wife de House, one clone history’s escalate controversial fairy story little-known queens. I was fortunate ample supply to subject this put your name down for in caboose form other I elite sure dump fans give a rough idea The Latest Queen disposition find allow as legally binding and amazing as I did. But before datum the fresh book, which will bait published tiptoe May Twentyfifth, you’ll long for to study the multitude interview.
Why did sell something to someone write Say publicly CONFESSIONS Garbage CATHERINE Moment MEDICI?
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This article of mine was originally published in the February 2011 issue of Historical Novels Review.
Come and visit our panel "Are Marquee Names Really Necessary" with star authors Margaret George, C.W. Gortner, Susanne Dunlap, and Vanitha Sankaranat the 2011 Historical Novel Society North American Conference in San Diego, on Saturday, June 18.
Recorded history is wrong. It’s wrong because the voiceless have no voice in it.
These are the words of the late, great Mary Lee Settle, author of the classic Beulah Land Quintet, published in the 1950’s when both academic history and most historical fiction were narrowly focused on the elite. So many people have been written out of history: not only the vast majority of women, but also people of the peasant and labouring classes, and most people of non-European ancestry. In Settle’s day, a more inclusive history seemed a far off dream.
“There’s a revolution going on out there!”
Sarah Dunant, acclaimed author of The Birth of Venus and In the Company of the Courtesan, remembers this time. Speaking at the Bluecoat School in Liverpool in May 2010, Dunant described how she first fell in love with historical fiction when she was a twelve-year-old in postwar Britain, which she re
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Welcome back to the Secret Victorianst for a different sort of blog today—an interview with fellow historical novelist, Hope C. Tarr. You might remember Hope from the virtual panel event I did with Lady Jane’s Salon, the NYC-based romance readers’ club she co-founded, back in 2020. Next month, Hope’s debut historical novel Irish Eyes will be released by Lume Books, and I know readers of the Secret Victorianist are going to love it. Irish Eyes opens on the Aran Islands in 1898 and takes readers on a journey, with its heroine Rose, to the streets of late nineteenth/early twentieth-century New York City. I hope you enjoy my conversation with Hope and enter for a chance to win a copy of her novel below!
SV: How did you first get the idea for your novel, Irish Eyes?
Hope: Irish Eyes is very much a love note to my Irish ancestors, who came to America on the coffin ships at the height of the Great Hunger. For years, I batted around the idea of writing something with an Irish heroine. Finally, on a hiking trip to Western Ireland in (gulp) 2008, I stopped at the famed Cliffs of Moher and gazed across Galway Bay to the trio of islands known as the Arans, and Rose O'Neill’s story began taking shape in my mind. Back in Manhattan, running along