William blake biography engravers gothic font
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William Blake
William Blake was born in London on November 28, 1757, to James, a hosier, and Catherine Blake. Two of his six siblings died in infancy. From early childhood, Blake spoke of having visions—at four he saw God “put his head to the window”; around age nine, while walking through the countryside, he saw a tree filled with angels. Although his parents tried to discourage him from “lying,” they did observe that he was different from his peers and did not force him to attend a conventional school. Instead, he learned to read and write at home. At age ten, Blake expressed a wish to become a painter; so, his parents sent him to drawing school. Two years later, Blake began writing poetry. When he turned fourteen, he apprenticed with an engraver because art school proved too costly. One of Blake’s assignments as apprentice was to sketch the tombs at Westminster Abbey, exposing him to a variety of Gothic styles from which he would draw inspiration throughout his career. After his seven-year term ended, he studied briefly at the Royal Academy.
In 1782, Blake married an illiterate woman named Catherine Boucher. Blake taught her to read and write, and also instructed her in draftsmanship. Later, she helped him print the illuminated poetry for which he is remembered today;
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William Blake
English poet and artist (1757–1827)
For other people named William Blake, see William Blake (disambiguation).
William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language".[2] While he lived in London his entire life, except for three years spent in Felpham,[3] he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God",[4] or "human existence itself".[5]
Although Blake was considered mad by contemporaries for his idiosyncratic views, he came to be highly regarded by later critics and readers for his expressiveness and creativity, and for the philosophical and mystical undercurrents within his work. His paintings and poetry have been characterised as part of the Romantic movement and as "Pre-Romantic".[6] A theist who preferred his own Marcionite style of theology,[7][8] he was host
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William Blake: Inventiveness Introduction
Source: William Blake, Blake’s Illustrations longawaited the Exact of Function. With Descriptive Letterpress, service A Description of interpretation Artist’s Polish and Scrunch up. By Physicist Eliot Norton (Boston: Crook R. Osgood and Co., 1875). Chapter: INTRODUCTION Utter THE Guts AND Pierce OF WILLIAM BLAKE.
Copyright: Rendering text equitable in description public domain.
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One appeal to the illustrations by Blake:
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