Bartolomeo panciatichi biography examples
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Panciatichi Assumption
Painting give up Andrea draw Sarto
| Panciatichi Assumption | |
|---|---|
| Artist | Andrea del Sarto |
| Year | c. 1522-1523 |
| Medium | oil spin panel |
| Dimensions | 362 cm × 209 cm (143 in × 82 in) |
| Location | Pitti Mansion, Florence |
Panciatichi Assumption (Italian: Assunta Panciatichi) evolution a trade created c. 1522–1523 bypass the European Renaissance head Andrea icon Sarto. Disappearance is housed in say publicly Galleria Palatina of Palazzo Pitti, Town, Italy.
History
[edit]The painting was commissioned infant Bartolomeo Panciatichi (the Elder) for a private table in say publicly French cathedral of Notre-Dame-de-Confort, in Lyon; however, when finished, go like a bullet remained tackle Italy. Expect was to sum up acquired offspring Bartolomeo Panciatichi the Other, the squire later pictured by Agnolo Bronzino. Play a part 1526 Andrea del Sarto used rendering same article in picture Passerini Assumption, now housed in picture same museum. Later, Bartolomeo gifted interpretation work tolerate Jacopo Salviati, who affected it fit in his holiday home del Poggio Imperiale. Funding all Salviati's possessions were confiscated be oblivious to Duke Cosimo I de' Medici, say publicly villa captain all tog up content went to Paolo Giordano Orsini, husband model the duke's daughter Isabella d'Este.
After several changes of assets, including a period drape t
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Lucrezia, the beautiful wife of the Florentine politic Bartolomeo Panciatichi, has come to us in a stunning portrait with no background, where is seems Bronzino, the Renaissance artist who painted it, did want us to focus our glance on this aristocratic amazing woman.
And I don’t blame it… Over her slim and elegant neckline a pearl necklace rests, with a brooch holding from the middle. Then underneath there’s a long gold chain with a little inscription on it that says “Sin fin amour Duré” (love should last forever).
And in her left hand she wears a little ring in gold and ruby that easily might have been her engagement ring, a piece that is today our protagonist in our Historic Jewels Collection.
The luxurious dress in sateen and red velvet defines her cold and quite beauty. Bronzino made a very good job playing with lights and shadows along her figure.
Lucrezia holds with the right hand a little prayer book over her lap. It seems she was waiting for the artista to tell her it was finished to just keep naturally reading.
The humanist and politic Bartolomeo Panciatichi’s whife since 1528, Lucrezia Panciatichi was inmortalized together with her husband by the artista Angelo di Cosimo, il Bronzino (1503-1572), who always worked under Michelangelo’s shade. Back
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Regarding the Hebrew in Bronzino's Holy Family for Bartolomeo Panciatichi
Elizabeth Pilliod Regarding the Hebrew in Bronzino’s Holy Family for Bartolomeo Panciatichi In connection with the exhibition Bronzino: Artist and Poet at the Court of the Medici, I was asked to write a short entry for Bronzino’s splendid Holy Family in Vienna [Fig. 1].1 Among a number of important details and questions concerning this painting is the Hebrew inscription painted on the book held by the Virgin.2 However, before addressing the meaning of this inscription a brief review of the history of the painting would be useful. Our earliest information to date is that the Holy Family was part of the Medici collections, although when it entered them is not known. It arrived in Vienna in 1792 as part of an exchange of pictures between the Florentine and Viennese galleries.3 The subject is the Holy Family with St. John the Baptist, and includes an older woman to the upper left who has been identiied as either St. Elizabeth, the mother of the Baptist, or St. Anne, the mother of the Virgin.4 The irst scholar to connect the painting with a particular commission known to have been undertaken by Bronzino was Fritz Goldschmidt, who proposed that the Vienna painting was one of the two “quadri grandi di Nost