Fatafat jayalakshmi biography of abraham
•
No
Name of Film
Language
Producer
Director
Music
Lyrics
Playback Singer
Male Artistes
Female Artistes
Date funding Release
1.
Apoorva Raagangal
Tamil
Kalakendra Movies
P.R.Govindarajan
J. Duraisamy
K.Balachander
M.S.Viswanathan
Kannadasan
K.J. Yesudas
Vani Jeyaram
Sasireka
Sheik Mohamed
Kamal Haasan
Rajinikanth
Sundarrajan
Nagesh
Srividya
Jayasudha
15.08.1975
2.
Katha Sangama
Kanada
C.S.Rajah
Puttanna
Vijaya Basker
Vijaya Narasimha
Kasthuri Sankar
Rajinikanth
Gangadhar
Sampath
Umesh
Babu
Easwar
Narasimiah
S.R.Rangamurthy
Arti
23.01.1976
3.
Anthuleni Katha
Telugu
Rama Arangannal
K.Balachander
M.S.Viswanathan
Athreya
S. Janaki
P. Susheela
K.J. Yesudas
Easwari
S.P. Bala
Rajinikanth
Prasad
Narayan Rao
Kamal Haasan
Ravi
Suresh
Jayaprada
Sri
Jayalakshmi
Jayasri
Jayavijaya
Sudha
Phani
27.02.1976
4.
Moondru Mudichu
Tamil
R.M.S. Productions
R.Venkataraman
R.M.Subbiah
K.Balachander
M.S.Viswanathan
Kannadasan
P. Susheela
Vani Jeyaram
Jayachandran
L.R.Easwari
Kamal Haasan
Rajinikanth
Calcutta Viswanathan
Rajamani
Sri Devi
Y.Vijaya
Anupama
Baby Rani
Baby Indira
Kalavathi
22.10.1976
5.
Baalu Je
•
List of Telugu Films of 1979 - Wikipedia
List of Telugu Films of 1979 - Wikipedia
Copyright:
Available Formats
Original Title
Copyright
Available Formats
Share this document
Share or Embed Document
Did you find this document useful?
Is this content inappropriate?
Copyright:
Available Formats
Copyright:
Available Formats
Article Talk Read Edit View history Search Wikipedia
List of Telugu films of 1979
From Wikipedia, the free encyclopedia
Main page
This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced
Contents
material may be challenged and removed.
Current events
Find sources: "List of Telugu films of 1979" – news · newspapers · books · scholar · JSTOR (March 2014) (Learn how and when to remove this
Random article
About Wikipedia template message)
C
•
“Appuchi Gramam”… Less Bradbury than Bharathiraja, but that’s part of the charm
Why did C Rudraiah’s career never take off after his dazzling debut film? The film industry’s answer: “Avar Appadithan.”
This is your first film, and even the way you refer to this first film in the acknowledgements at the beginning is different – not as “mudhal padam,” which is the literal translation, but as “kanni muyarchi,” your virgin attempt. Padam signifies a tangible product – a film. Muyarchi, on the other hand, is shrouded with vagueness – it suggests flailing about, it suggests a search, it suggests an experiment. Aval Appadithan (loose translation: She Is the Way She Is; in other words, her own person, not too concerned about blending in with the rest of society, all of which, gender-reversed, seems to apply to the director C Rudraiah as well) was all of these things, especially an experiment. The film, which was released in October 1978, remains one of a kind, an “art film” made with huge commercial-cinema stars (Kamal Haasan, Rajinikanth, Sripriya).
PC Sreeram, who was Rudraiah’s junior at the Adyar Film Institute (Rudraiah graduated in 1975), told me, “We were all totally zapped by the movie. This is the kind of world cinema we had been exposed to, the kind of