Thomas de cormont biography of michael

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Baluze, Vita Paparum Avenionensium, I (Paris, 1693), 486 sqq.; Salembier, Interpretation Great Rift of say publicly West (tr. New Dynasty, 1907), throughout. N, A. Weber.

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Renaud de Cormont

French architect, master-mason

Renaud de Cormont was a French Gothic Eramaster-mason and architect who worked on the Cathedral of Notre-Dame in Amiens after his father, Thomas de Cormont, who is believed to have been a disciple of Robert de Luzarches.^[1][2]

Renaud continued his father's work on Notre-Dame of Amiens in the 1240s and is believed to have brought a form of architectural revolution to the upper transept and upper choir of the cathedral through his introduction of a glazed triforium, openwork flyers, and new decorative forms.

Renaud also altered the eastern wall of the transept and upper levels of the choir into an ornate glass box held by extremely thin flyers. However, this structure was not sound: the triforium had to be replaced, the tracery panels on the flyers crumbled and the transept roses failed. Of more concern was the fact that the entire eastern half of the building needed to be held up using wooden beams, iron chain, masonry spines and an additional rank of flyers.^[3]

Art historians have likened Renaud to Icarus because his defective work on the upper transept and choir led to a near disaster. This is also likely a play on the fact that the center of the cathedral contains a labyrinth design on t

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Amiens Cathedral

North flank, from Abbé L. F. Daire, Histoire de la ville d'Amiens, 2 vols., Paris, 1757

North flank, from Abbé L. F. Daire, Histoire de la ville d'Amiens, 2 vols., Paris, 1757

Nave Aisle Window (Durand)

Enclosed inside a steeply-pointed framing arch and with an enormous upper oculus surmounting two uncapped lancets, such windows originally existed along the entire length of the nave aisles. They were torn out in the fourteenth century to make way for the added chantry chapels. Such units still survive in the lower transept arms. The tracery of the windows on the west side of the south transept show signs of experimentation and modification which may suggest that they were the first in the sequence.

Nave Aisle Window (Durand)

Nave Clerestory Window (Durand)

In the upper nave (c.1240) Master Thomas de Cormont has retained the great central oculus characteristic of the aisle windows but has created four lancets clumped in pairs and surmounted by smaller oculi.

Nave Clerestory Window (Durand)